Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
19
Digital
Sheet Music
18
Sheet Music
Books
106
Music
Equipment
27
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
3
PIANO & KEYBOARDS
Accordion
2
Piano solo
1
Piano, Voice
1
C Instruments
1
Piano, Vocal and Guitar
1
GUITARS
Guitar
2
VOICE
Choral 3-part
2
Choral SATB
1
WOODWIND
Flute
1
WOODBRASS
STRINGS
String Quartet: 2 violins, viola, cello
1
Harp
1
PERCUSSION & ORCHESTRA
Chamber Orchestra
1
OTHERS
You've selected:
Eva Three Step
Sheetmusic to print
18 sheet music found
<
1
Eva Three Step (Farewell To The Tay / The Wee Sergeant / The Glasgow Gaelic Club / The Rock And The
Accordion
Accordion - Digital Download SKU: A0.822834 Composed by Traditional. Arranged by Ju…
(+)
Accordion - Digital Download SKU: A0.822834 Composed by Traditional. Arranged by Julia Gordon. Celtic,Folk,Irish,Multicultural,World. Score. 4 pages. Julia Gordon #6103549. Published by Julia Gordon (A0.822834). For traditional Scottish jigs arranged for accordion for an Eva Three Step.
$4.60
4.29 €
#
Accordion
#
Traditional
#
Eva Three Step
#
Julia Gordon
#
SheetMusicPlus
Eva Three Step (Bonnie Dundee / Midlothian Pipe Band / Lochiel's Welcome To Glasgow / The Cock O' The North)
Accordion
Accordion - Digital Download Composed by Traditional. Arranged by Julia Gordon. World…
(+)
Accordion - Digital Download Composed by Traditional. Arranged by Julia Gordon. World, Folk, European, Celtic. 4 pages. Published by Julia Gordon
32 bar Scottish jigs for an Eva Three Step (Bonnie Dundee / Midlothian Pipe Band / Lochiel's Welcome To Glasgow / The Cock O' The North), arranged for accordion.
$4.60
4.29 €
#
Accordion
#
Traditional
#
Eva Three Step
#
Julia Gordon
#
SheetMusicPlus
Nine Trios For Brass by J. (John) Friedheim 1836
Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.722…
(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.722808 Composed by J. (John) Friedheim. Arranged by Jari A. Villanueva. Classical,Folk. Score and parts. 26 pages. JV MUSIC #6082641. Published by JV MUSIC (A0.722808). Nine Trios for brass trio is an arrangement of the Music for 2 Bugles and Trombone written in 1836 by J. (John) Friedheim.Scored for Cornet, Horn in F and Trombone parts with optional sub parts for Cornet (Horn) and Baritone TC (Trombone)The original collection consists of four pages containing three walses [sic], a march, and five quicksteps. It was originally published in 1836 by Gottlieb Graupner and may be some of the first published music for an ensemble of brass instruments. Friedheim was born at Prag in the Kingdom of Bohemia on December 7, 1792 and arrived in Boston in September 1834. John Friedheim, professor of music (as he was described in Boston city directories), is identified as the conductor of the New England Band on the cover pages of two marches-Bunker Hill Quick Step and Shamrock Quick Step.Friedheim appears to have been a competent musician (a clarinetist) who worked in the Boston area. His Series of Music for Two Bugles and Trombone enjoyed some success but its continuation was cut short by the death of the publisher, Gottlieb Graupner, in 1836.Friedheim was employed for a period of time at the National Theater (formerly the Warren Theater) and conductor of the New England Band. It was not as popular as the Boston Brigade Band and the Boston Brass Band. Friedheim was a busy musician and composer and the many facets of his activities in Boston included being a clarinet soloist, conducting the New England Band, leading the National Theater orchestra, authoring a book on playing the double bass, and composing works of incidental music for orchestra and of waltzes and marches for brass band including the work here.
$20.00
18.67 €
#
J
#
Nine Trios For Brass by J.
#
JV MUSIC
#
SheetMusicPlus
The Wellerman - for 3 harps or harp ensemble
Harp
Celtic Harp,Folk Harp - Level 2 - Digital Download SKU: A0.1173275 By Nathan Evans.…
(+)
Celtic Harp,Folk Harp - Level 2 - Digital Download SKU: A0.1173275 By Nathan Evans. By Traditional Whaling Song. Arranged by Stephanie Claussen. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 18 pages. Stephanie Claussen #773434. Published by Stephanie Claussen (A0.1173275). The Wellerman is a rousing sea shanty that many people will recognize from Nathan Evan's viral TikTok version. This ensemble version is intended for 3 harps or more. Any or all the parts can be doubled or tripled. Difficulty level ranges from beginner (Hp 1) to early intermediate (Hp 2) to intermediate (Hp 3). A complete score, a set of all three parts, and a reduction of the score is included with this purchase. Additional parts can be purchased for a minimal cost by contacting Stephanie Claussen using the contact form on her website: www.StephanieClaussen.com. A solo harp version is also avialable here: https://www.sheetmusicplus.com/title/the-wellerman-intermediate-harp-solo-digital-sheet-music/22293393.For lever or pedal harp Chord symbols and fingerings included3 levels: beginner, early intermediate and intermediate✦Sign up for my newsletter - https://www.stephanieclaussen.com/albums/free-mp3/ ✦Join me on Facebook - https://www.facebook.com/stephanieclaussenharpist/ ✦And Instagram - https://www.instagram.com/stephanieclaussenharp/ ✦Send me a tip - https://www.buymeacoffee.com/StephanieHarp.
$12.00
11.2 €
#
Harp
#
Nathan Evans
#
The Wellerman - for 3 harps or harp ensemble
#
Stephanie Claussen
#
SheetMusicPlus
Play Along With Emma Christmas Songs
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.993404 Composed by Emma Mamayeva. Arra…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.993404 Composed by Emma Mamayeva. Arranged by Emma Mamayeva. Christmas,Instructional. Score. 41 pages. Emma Mamayeva #3892663. Published by Emma Mamayeva (A0.993404). This book is a collection of traditional Christmas songs presented in Fake Book form for beginning music lovers. The book gives you the melodies to be played by the right hand and letters above the melody to guide your left hand accompaniment. Once you have followed the step-by-step instructions in my other books, it will be easy for you to play any of these songs with two hands using my three magical notes. As usual, my book starts with a brief
$10.00
9.33 €
#
Piano, Voice
#
Emma Mamayeva
#
Play Along With Emma Christmas Songs
#
Emma Mamayeva
#
SheetMusicPlus
I Wonder As I Wander
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1312368 Composed by John Jacob Niles. Arranged by Joel Jacklich (ASCAP). Chamber,Christmas,Folk,Holiday,Traditional. 11 pages. Joel Jacklich #901221. Published by Joel Jacklich (A0.1312368). I Wonder as I Wander by John Jacob Niles is here arranged by Joel Jacklich (ASCAP) for voice and string quartet.Ï Wonder as I Wander nis a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.[1][2][3][4][5]While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police.[1][5] In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievable dirty and ragged, and she, too, was unwashed. Her ash-blond hair hung down in long skeins. ... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.[2]The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material—and a magnificent idea.[2][5] (In various accounts of this story, Niles hears between one and three lines of the song.[2][4][5][6]) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas.[2][3][5] His composition was completed on October 4, 1933.[2] Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina.[2][6] It was originally published in Songs of the Hill Folk in 1934.[4][6]References1. Bradley, Ian. The Penguin Book of Carols. Penguin (1999), p148. ISBN 0-14-027526-6.2. Pen, Ron. I Wonder as I Wander. A Kentucky Christmas (George Ella Lyon, editor). University Press of Kentucky (2003), p200–201. ISBN 0-8131-2279-1.3. Studwell, William E. The Christmas Carol Reader. Haworth Press (1995), p111. ISBN 1-56024-974-9.4. Emmons, Shirlee & Wilbur Watkin Lewis. Researching the Song: A Lexicon. Oxford University Press (2006), p242. ISBN 0-19-515202-6.5. Niles, John Jacob. I Wonder as I Wander. Archived 2006-03-25 at the Wayback Machine John-Jacob-Niles.com.6. Stulken, Marilyn K. With One Voice: Reference Companion. Augsburg Fortress (2000), p25. ISBN 0-8066-3843-5.Program Notes from Wikipedia.
$12.99
12.12 €
#
String Quartet: 2 violins, viola, cello
#
John Jacob Niles
#
Wilbur Watkin Lewis
#
I Wonder As I Wander
#
Joel Jacklich
#
SheetMusicPlus
Friends
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.500222 By Chick Corea. By Chick C…
(+)
C Instrument - Level 4 - Digital Download SKU: A0.500222 By Chick Corea. By Chick Corea. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113407. Published by John Fries (A0.500222). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. An aptly titled album, Friends finds Chick in a beautifully relaxed setting with three jazz luminaries: Joe Farrell (Chick’s Return to Forever partner), Eddie Gomez (longtime Bill Evans bassist) and Steve Gadd (one of Chick’s favorite drummers). The mood might be relaxed, but the music is anything but laid-back: the quartet digs deep on eight of Chick’s originals, including the revelatory “Samba Song” and the supremely swinging “The One Step.”.
$3.99
3.72 €
#
C Instruments
#
Chick Corea
#
Friends
#
John Fries
#
SheetMusicPlus
Crosswinds
Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - Digital Download S…
(+)
Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - Digital Download SKU: A0.1002834 Composed by Kyle Vanderburg. Contemporary. Score and parts. 11 pages. NoteForge #5319515. Published by NoteForge (A0.1002834). Crosswinds represents a melding of the traditional woodwind sound of the clarinet with digital live electronic techniques, and the piece explores the potential for this relationship in three parts.To begin the piece, the stage performer breathes through the clarinet, which serves to inform the electronic elements to come. This initial breath is captured by the computer program and is modified and reduplicated to create the sonic tone of a soft wind always present beneath the piece to come. This is the first step in uniting the digital and woodwind elements, as the same breath which animates the clarinet also activates the electronics.From this most fundamental element, the breath becomes a single sustained note from which the computer will generate all of its subsequent tones. The impression is one of a mentor relationship, where the traditional instrument provides the tools and the support for the electronic elements. The disposition is contemplative, though it alternates between a subdued easiness and a playful mystery, as if to introduce the digital aspects to the range and variety of the clarinet’s moods. The rapport between the two is hesitant in the first part: the electronics contributing a subtle reverb as the performer teaches the computer dexterity through a number of broad leaps, hinting at but never fully embracing the main motif.As the theme becomes more self-assured, the digital element now produces its own tones, parroting the clarinet melody to signal its readiness to be an equal partner in the conversation. As the clarinet begins the second part of the piece, the computer now provides a harmonizing undercurrent each time it is invited to do so by the performer.In the third part, the electronics play counterpoint to the skill of the clarinetist, the two elements intricately entwined. From the elemental sound of wind first produced by the performer and perpetuated by the computer, the piece concludes in a celebration of the relationship built between the two, and the main theme is fully expressed as the two take it in variations.Crosswinds is, in many ways, an experience of the history of our music through the relationship between traditional clarinet and modern digital techniques: the common elements they share, the singularity of their own particular strengths, and the beauty that can be experienced when they collaborate.Patch for live electronics available from https://bitbucket.org/kylevanderburg/crosswinds/downloads/
$7.99
7.46 €
#
Kyle Vanderburg
#
Crosswinds
#
NoteForge
#
SheetMusicPlus
Be Still, My Soul
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1311441 Composed by…
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1311441 Composed by Jane Borthwick, Jean Sibelius, and Katharina von Schlegel. Arranged by Gabriel Lawson. Chamber,Religious,Sacred. 13 pages. Gabriel Lawson #900446. Published by Gabriel Lawson (A0.1311441). “Be Still, My Soul” is a beautifully comforting and beloved poem written by Katharina von Schlegel in 1752. Translated by Jane Borthwick in 1855, this comforting and hope inspiring hymn is set to the tune Finlandia, composed by Jean Sibelius in 1899. The tune first appeared in Sibelius' tone poem, Finlandia, Op. 26, and the poem and tune were first brought together in 1927 by David Evans.For four-part SATB Mixed Chorus (occasional alto and soprano divisi) with piano accompaniment.This arrangement opens with a comforting combination of major and lydian chords. Each verse represents a slight variation of harmony and text painting. The sopranos have the melody in the first two verses and sing of hope and guidance (key of E-flat Major). The key moves down a half step and the altos take on the heartfelt melody for verse three (key of D Major). Finally, the key changes once more (key of A-flat Major) for a joyful celebration, and the fourth verse ends with a unison tonic pitch as the piano brings back the major/lydian idea.Difficulty 5/10.Soprano Db4-Ab5.Alto G3-B4.Tenor Eb3-G4.Bass F2-Eb4.
$1.99
1.86 €
#
Choral SATB
#
Jane Borthwick, Jean Sibelius, and Katharina von Schlegel
#
Be Still, My Soul
#
Gabriel Lawson
#
SheetMusicPlus
I Wonder As I Wander
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.928964 Composed…
(+)
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Donald A Mills #3400179. Published by Donald A Mills (A0.928964). 2017 CHAMBER MUSIC CONTEST ENTRYI Wonder as I Wander is a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police. In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievably dirty and ragged, and she too was unwashed. Her ash-blond hair hung down in long skeins.... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material-and a magnificent idea. (In various accounts of this story, Niles hears between one and three lines of the song.) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas. His composition was completed on October 4, 1933. Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina. It was originally published in Songs of the Hill Folk in 1934.This arrangement of I Wonder As I Wander is a five-part string ensemble, revised 12.12.17. It was arranged specifically for the 2017 Chamber Music Contest on www.SheetMusicPlus.com. Used by permission.
$12.99
12.12 €
#
John Jacob Niles
#
I Wonder As I Wander
#
Donald A Mills
#
SheetMusicPlus
We Must Learn to Walk Together
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.72 €
#
Piano, Vocal and Guitar
#
Lisa Waites
#
We Must Learn to Walk Together
#
Servant Song Music and Ministry
#
SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilus”), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…”, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit” (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love” is an eighteenth century poem that e.
$25.95
24.22 €
#
Chamber Orchestra
#
Carson Cooman
#
Carson Cooman: The Acts of the Apostles
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Restoration Medley
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.741220 Composed by A.C. Smyth, Evan…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.741220 Composed by A.C. Smyth, Evan Stephens, Horatio Parker, and Sylvanus Billings Pond. Arranged by Anne Britt. Christian,Sacred. Score. 5 pages. Anne Britt #5191455. Published by Anne Britt (A0.741220). In honor of the 200th anniversary of the restoration of the gospel and the priesthood on the earth, this medley features three hymns: Joseph Smith’s First Prayer, What Was Witnessed in the Heavens? and Rejoice, the Lord Is King! The arrangement starts quietly with the peaceful, early-morning setting of the sacred grove, then transitions to a minor key to capture the feelings of darkness and despair that young Joseph experienced prior to the appearance of the Father and Son. The energy picks up with a verse of What Was Witnessed in the Heavens? and finishes with the jubilant Rejoice, the Lord Is King! 5 pages. Performance time: approximately 3:25.Included in the It Is Well songbook: https://www.sheetmusicplus.com/title/22035187Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99
3.72 €
#
Piano solo
#
A
#
Restoration Medley
#
Anne Britt
#
SheetMusicPlus
The Seven Joys of Mary (with optional wind quartet)
Choral 3-part
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1127905 Composed by Traditi…
(+)
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1127905 Composed by Traditional. Arranged by Philip Le Bas. Christmas,Easter,Sacred,Traditional. Octavo. 57 pages. Philip Le Bas #728514. Published by Philip Le Bas (A0.1127905). A new setting by Philip Le Bas of the ancient carol The Seven Joys of Mary (or Joys Seven, or a variety of other possible titles.) This version includes easy accompaniment parts for flute, clarinet, horn, bassoon and piano. Since medieval times the number of Joys of Mary has varied between five, seven, ten and twelve, but the the current number of seven has become popular, especially since the basic harmonization of R.R. Terry published in 1833 and the contemporary version for 8-part choir by Stephen Cleobury in the OUP's Carols for Choirs series. (A history of the carol can be found in the New Oxford Book of Carols, edited by H Keyte and A Parrott, p.462f.) The version presented here is kept relatively simple to perform, being scored only for a three-part choir (SABar - soprano, alto, baritone) and piano, but with plenty of interest including changes in voicing, changes of rhythm (especially verse 6) and two key changes. The arranger hopes performers and listeners will find it energetic and fun! It should certainly be sung in that spirit! Although often associated with Christmas, it could in fact be performed in any season, including Easter, referring as it does to the whole life, death and resurrection of Christ.
$1.99
1.86 €
#
Choral 3-part
#
Traditional
#
The Seven Joys of Mary
#
Philip Le Bas
#
SheetMusicPlus
The Seven Joys of Mary (with optional flute and clarinet parts)
Choral 3-part
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1127914 Composed by …
(+)
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1127914 Composed by Traditional. Arranged by Philip Le Bas. Christian,Christmas,Easter,Sacred. 57 pages. Philip Le Bas #728523. Published by Philip Le Bas (A0.1127914). A new setting by Philip Le Bas of the ancient carol The Seven Joys of Mary (or Joys Seven, or a variety of other possible titles.) This version includes the optional flute and B flat clarinet parts. Since medieval times the number of Joys of Mary has varied between five, seven, ten and twelve, but the the current number of seven has become popular, especially since the basic harmonization of R.R. Terry published in 1833 and the contemporary version for 8-part choir by Stephen Cleobury in the OUP's Carols for Choirs series. (A history of the carol can be found in the New Oxford Book of Carols, edited by H Keyte and A Parrott, p.462f.) The version presented here is kept relatively simple to perform, being scored only for three-part choir (SABar - soprano, alto, baritone) and piano, but with plenty of interest including changes in voicing, changes of rhythm (especially verse 6) and two key changes. The arranger hopes performers and listeners will find it energetic and fun! It should certainly be sung in that spirit! Although often associated with Christmas, it could in fact be performed in any season, including Easter, referring as it does to the whole life, death and resurrection of Christ.
$1.99
1.86 €
#
Choral 3-part
#
Traditional
#
The Seven Joys of Mary
#
Philip Le Bas
#
SheetMusicPlus
Guitar Compendium
Guitar
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
(+)
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Guitar. The Praxis System. Downloadable. Op. Vol. 3. Advance Music #Q54673. Published by Advance Music
The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or ...
$23.99
22.39 €
#
Guitar
#
Guitar Compendium
#
Advance Music
#
SheetMusicPlus
Guitar Compendium
Guitar
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
(+)
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Theorie. The Praxis System. Downloadable. Op. Vol. 1. Advance Music #Q54672. Published by Advance Music
English.
Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or
$23.99
22.39 €
#
Guitar
#
Guitar Compendium
#
Advance Music
#
SheetMusicPlus
Five Star Studies
Flute
Flute - Easy/Beginner - Digital Download Composed by Aiva Elsina. Etudes and Exercise…
(+)
Flute - Easy/Beginner - Digital Download Composed by Aiva Elsina. Etudes and Exercises. Score. 25 pages. Published by Aiva Elsina
Five star studies is a collection of 20 short technical pieces for beginner flutists, starting with the very first three notes B, A, G and gradually increasing in difficulty.
The studies introduce new technical terms step by step.
The five star sections at the bottom of every page are dedicated to such components as rhythm, dynamics, notes, posture, articulation, expression, sound, etc. Some of the boxes are already filled in, but the empty ones are left for the teacher to choose the technical difficulty to work on while practicing the study.
The teacher should evaluate how many stars the student has earned based on overall impression during the lesson. The goal for the student is to practice at home paying attention to every single block and manage to add more stars at the next lesson.
The study is considered ?done? when the student has earned all the stars in all five blocks.
$11.99
11.19 €
#
Flute
#
Aiva Elsina
#
Five Star Studies
#
Aiva Elsina
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
